skadaddle skadoodle
  • elphabaforpresidentofgallifrey

    Tweet by @ PLANET GUNSMOKE that reads: Trigun Stampede is actually so deep cut as an adaptation that I thought the whole Livio look they had going on was just this totally original way of conveying a more rookie/less indoctrinated Livio... no, it wasn't, I went back, saw this panel and I exclaimed to myself "fuck off". Photo attached to the tweet is a panel from the Trigun manga of a younger looking Livio holding a Punisher cross gun, seen from the side with a ponytail.ALT
    Tweet from @ PLANET GUNSMOKE that reads: The fucking ponytail, thinner, loose formal Livio already existed in the manga and it appears for such a brief moment I did not realise this while watching Stampede, HOW much do they want me to keep kneeling, they have everything in their heads don't they.ALT

    whenever people criticize stampede for differences from 98 or trimax i'm always like HOLD ON LET THEM COOK because of stuff like this. i actually have so much more confidence in studio orange for getting stuff right later on in the series than i normally would bc of stuff like this (like for trans adult elendira, or chunky livio/razlo, and obviously for milly).

    like look at THIS, where they took an ENTIRE visual and musical storytelling motif from ONE PANEL of the manga. they're COOKING on levels unimaginable.

    White text on a blue background that reads: One of the things that is not really highlighted on your Orange Presents panels, but that I really enjoy, is the music direction of your TV shows. From the Land of the Lustrous, Beastars, and Trigun Stampede, the soundtrack and the use of the soundtrack at the correct point of the show is brilliant. Can you provide some insight into how the music direction is done? K: When we are creating an animation at Studio Orange, we use a technique called film scoring. Although we don't use it completely, we use what we call half film scoring. That's where we have the music first, and then we adjust the imagery to match the music and the scene. Because we're doing it in that order, we find that we're actually able to produce better results. We found that more emotion is communicated by both the music and the imagery matching each other. And because we do it in that order, we really allow the people who are composing the music to have a lot of control over the emotions in the scene, so they're really motivated to produce amazing music for us. I think that's probably why we get complimented on the music in the works that we've done. M: As Waki-san said, I feel that it's really important about establishing relationships with composers. I can only speak for the case of Trigun, of course, but for not just the composer, but for the audio team, the mixer, the sound effects team, I was actually responsible as a sound director to direct all those people as well. Basically the relationship and passion that everyone feels is very much reflected onto the quality. And I've spent time making sure that the groove is there. In the manga, Knives actually plays the piano, just for a few frames, but that left a strong impression on me. So, I put a lot of thought on how that can be put into this anime. That became one of the things that I focused on. I really care for the beats per minute, the rhythm, the tempo. Those are the things where we put a lot of thought into, and I got a lot of references for the music team. I've said it in a couple other interviews as well, but when I am writing the storyboard, there's already music playing in the background, and it's my job to figure out how to convey that music to the team.ALT
  • aubielikey

    I'M TELLING YA

    SCREAMING IT FROM THE ROOFTOPS

    👏 STUDIO 👏 ORANGE 👏 IS 👏 INSANE (affectionate)

    Trigun Stampede is a love letter, a tribute gone wild, a new interpretation that elevates and honors its source material. I am repeatedly awed by Orange's attention to detail. They care, they worked for it, and it shows.

    • Jul 14 3,536 notes
  • cursed-and-haunted

    I know this is going to make me sound pretensions but I have to get it off my chest. I feel an unimaginable rage when someone posts a photo and is like “this picture looks like a renaissance painting lol” when the photo clearly has the lighting, colors and composition of a baroque or romantic painting. There are differences in these styles and those differences are important and labeling every “classical” looking painting as renaissance is annoying and upsetting to me. And anytime I come across one of those posts I have to put down my phone and go take a walk because they make me so mad

  • cursed-and-haunted

    In case you’re curious here’s what I mean.

    Renaissance(distinct lines, stability and the individual man):

    image

    Baroque (bold, chaotic, dramatic):

    image

    Romantic(romanticize the simple hard working life):

    image

    Do you see the difference?

  • genderfluid-and-confuzled

    op is a vampire who painted works in all of these times

  • cursed-and-haunted

    image
  • deergirlhooves

    baroque gif

    • May 3 248,797 notes
    &. zinnia theme by seyche